Friday 10 February 2017

From drab to fab! My new cutting/sewing table!

Before and after

Would you believe me if I told you this was the same desk? If you've been following my FB page for a while you may have seen the sewing cabinet I refurbished last year (see below). Refurbishing furniture seems to be a new hobby of mine.


Mum's old Horn sewing cabinet with wood laminate panels. Yuck!
Unfortunately I don't have a dedicated work room, but luckily I've got enough room in my bedroom to accommodate being both. It's cramped, but it's workable. I just need to find a better way of storing all my fabrics... :/ That's the next challenge for another time...

A friend of mine was selling his old desk last year and I had the crazy idea of fixing it up into a cutting/sewing table to match my sewing cabinet. I didn't have a chance to work on it til the start of 2017. I could've bought those cubed shelves from Ikea and placed a plank on top like I've seen other people do, but I really liked the big wide drawer in the desk. I've been using a 1x1m folding table for the last 4 years and it's just not enough space to work efficiently. 

To add a bit of perspective with the desk space, the cutting mat on the old desk is A3 size, while the mat on the new desk is 24x36 in. The finished table top measures 80cm x 160cm.

This project was definitely a labour of love and cost a bit more time and money than I had wanted, but I think the result is worth it. The desktop had to be replaced because it was worn down in certain areas. All those valleys and bumps are not good for a cutting table. The desk was hand-crafted so the dimensions were not your average desk measurements which meant all the Ikea table tops were either too long and/or not deep enough. I did look at using doors, wardrobe panels and whatever else, but they weren't going to work for some reason or another. 

I ended up buying laminated pine sheets from the hardware store and joined 2 pieces down the length with liquid nails and wood putty with a plank glued and screwed underneath along the join (total engineering nightmare, but an interesting exercise in problem solving). A few times there, I thought it wasn't going to work at all... Luckily it came out alright in the end. I'm still worried about how much pressure and stress the join can/will take.

The table top was painted with a laminate enamel paint, left over from when I repainted the sewing cabinet. It will hold up better against any scratches and general usage. The rest of the desk was painted with a semi-gloss interior paint. The support beams under the table top had to be replaced too.

With the help of my dad and his tools, he cut the planks to size and screwed things together. We added a base to the desk out of the same laminated pine to help support the main frame as it was a bit warped, and also to attach the castors to. It's now the perfect height to work at standing up and I can wheel it around if needed.

Top: The table top had been removed.
Bottom: Adding a base to the desk to help stop the main frame from warping. Excuse the dog... :P
Right: Drawer slides: before and after cleaning.
All the drawer slides were scrubbed clean (so filthy!) with warm water, dish soap and a scouring pad. I filled in all the cracks and holes with wood putty. I spent a good part of an afternoon hand-sanding the wood putty on the ENTIRE desk when my dad comes out and asks if I would like the electric sander... Thanks... Now you tell me?! XD Haha. 

I was able to add a shelf in the middle section. I kind of wish I had thought it over more and made the shelves deeper so I could store my old sewing machine AND overlocker underneath. As you can see, I can only store the overlocker there, but the shelf was an off-cut from the laminated pine so I didn't really have much choice.

All the handles were replaced. I've also added peg boards on either side of the desk to hang tools/equipment. I'd like to eventually add another peg board or a wire grid/hooks/shelves to the back of the desk so I can store my small craft ironing board and other things.

It took about a month from start to finish. The table top took twice as long having to wait for the liquid nails to cure and the laminate paint to dry for recoats, then days would go by where we'd be trying to figure out how to fix 'x' problem. So many problems!

It'll take me a good few weeks to figure out how to organise the desk, and I have less floor space to fit my mannequins in my room, etc, (really, who needs access to their wardrobe? Haha! :P) but I'm excited to finally have a decent working space!

Sunday 8 January 2017

Aurora's Medieval Cloak - WIP

Year: December 2017 -
Character: Princess Aurora
Source: Disney's "The Sleeping Beauty"
Materials: stretch velvet, organza, crepe satin
Pattern used: Simplicity 5794 (B)


The stretch velvet has been underlined with organza to provide extra strength and durability in the seams whilst keeping the drape of the velvet.

I will be decorating the edges of the cloak with goldwork embroidery.

Sunday 3 July 2016

Vintage Petticoat

Year: June 2015
Materials: organdie, satin ribbon, cotton sateen, elastic


This was made to wear under the Vintage Vogue dress (pattern 1172) for a 1950s event. It is a 2-layered petticoat.

Page excerpt of the PDF tutorial I wrote. Download here.

Page excerpt of the PDF tutorial I wrote. Download here.

Page excerpt of the PDF tutorial I wrote. Download here.

Underneath the petticoat.

Saturday 2 July 2016

1957 Vintage Vogue Evening Dress

Year: June 2015
Pattern: Vintage Vogue 1172
Materials: Navy romance delustered satin
Event: 1950's Pop-up Bar at Rippon-Lea - "The Dressmaker" movie costume exhibit




I made the petticoat from organdie, hemmed with satin ribbon. See blog post.

A tea-length navy dress with a white satin belt and crystal buckle. This dress was paired with long white satin gloves (purchased) and a reversible 3-paneled navy/white shawl made from the same fabric as the dress. The shawl was inspired by a 1955 evening ensemble designed by Hall Ludlow (pictured below).
 
The inspiration for my outfit. From the "200 Years of Australian Fashion" exhibit at the NGV.
Designed by Hall Ludlow, 1955. 

The info plaque.

With Tanmei Costumery at "The Dressmaker" exhibit with the red dress worn by Kate Winslet's character. Tanmei and I used the same pattern for our dresses.
I followed the Vogue pattern to the letter. It contains godets cut on the bias which made hemming fun (not), a waist tape and lingerie straps on the shoulders. If I were to make the pattern again, I would use a full bodice lining rather than the facing as specified. I found the facing didn't sit right and puckered in certain areas.

The shoulders of the dress sit wide and the lingerie straps help hold your bra straps in place. I was worried about my bra straps eventually slipping off the shoulders and found the bodice was too restrictive when I tried to readjust them.

Thursday 10 March 2016

Part 3: Kylo Ren - Photoshoot

Year: November/December 2015
Source: Star Wars Episode VII: The Force Awakens
Collaborators: Foolyhardy Puffin FX (saber hilt repaint), All Star Props (belt buckle), Mudget Makes (belt)
Materials: polyester basketweave furnishing fabric, cotton voile, cotton duck
Photography: Illumis Creations

We took Kylo Ren out for a spin at a local cinema. He received quite a reaction from the waiting crowd.
Cosplayer: Mean Machine Cosplay
Photography: Illumis Creations











Cosplayer: Mean Machine Cosplay
Photography & Meme: Illumis Creations
That last one just for fun ;P

Saturday 5 March 2016

05. The Smuggler - Cloak

Year: 2012
Source: Assassin's Creed: Brotherhood multiplayer
Materials: cotton duck, grosgrain ribbon, braid, lining

Unfortunately I didn't document this process as much.

Hood front

Hood back
I drafted a rough hood pattern and moved the seam from the centre to create that middle panel.

There's three layers to the cape.


Thursday 3 March 2016

04. The Smuggler - Shirt & Skirts

Year: 2012/2013
Source: Assassin's Creed Brotherhood multiplayer
Materials: cotton, grosgrain ribbon, lace
Conventions attended: Supanova 2013, PAXAus 2013, Chaos 2014



To make the collar I traced the curve of the neckline from the doublet and drew the collar flaps. The swirls were created in Illustrator and hand embroidered.

Bottom of the shirt.

I made the decision to not make a full shirt to cut down on layers and fabric. The collar and shirt tails are attached to the doublet with loops and buttons.


There were no clear images of the detail on the in-game skirt so I had to design my own. They were hand embroidered.


This underskirt gave me problems, particularly where the bottom curves of the front panels meet with the back panel. It was a lot of drawing out a pattern piece and looking in the mirror to try to get it looking right.

All of these pieces are lined with bemsilk lining.

Each side was made up of 3 panels joined together by the waist band.


The design was also created in Illustrator, scaled to fit the pattern piece and traced onto tissue paper. It was taped onto the vinyl and hand embroidered with a basic running stitch.



The cream braid was again hand sewn onto the edges and metal fashion stud domes applied. This skirt closes with press studs and it fully lined.